Intertwining innermost emotion with cultural memory while revealing their connection to human behaviour, project references past to describe now. Shaping oblique allusions to a variety of sources as a reaction to the historical context of own culture, reverberations of Christianity and Paganism mythologise anxieties about transience reflecting on what makes us human. Documenting the process of creation in relation to its historic depiction in art, sculptures shape nodes to a broad range of cultural forms that embrace tradition, evoking mortality and remembering. An action of metabolizing history captures the dynamics of time passing, creating the ‘archaeology of self’ in an attempt to immortalise the temporary paving the way to declare individuality.