Work illustrates art as gesture exploring the prospects that the material can offer, incorporating perception of space, movement and time. Capturing the body’s energy while embracing the spontaneous, actions become patterns and textures on surfaces of various substances disrupting their perfectness. Placing emphasis on the means we use to articulate in order to establish a contact with the world around us, this visual expression of the rhythm of making defines a mosaic of time, investigating the possibilities that repetition can result to. Conceived as mental and emotional landscapes such arrangements provide multiple perspectives at once, being demonstrative of the experimentation among dimensions and physical presence.

Drawing from the synergy between material and action, work evolves following unpredicted directions, illustrating how spatial movement can collide with matter gradually affecting our interpretation of time and its impact. Providing a new set of values by elaborating the concept of chance while letting uncertainty prevail, the intertwining of environment and body converts motion into a tangible reality. Fascinated by human’s capacity for destruction, creator’s trace lends a uniqueness of texture captured by different manipulative methods on industrial materials, steel and metamorphic rocks. Evident of activity that blends natural with humanmade, the representation of time becomes co-dependent of wrinkled emotions materialized through eroding forces impacting on the matter. Defined by their own inherent dynamics, these are compositions one can observe self-evidently, uncovering the way they were formed and occupy space.